The allure of Romanticism never fades, it finds new adherents… Like Shelley and Byron, each new generation sees the darkness in their reflection and is encouraged by its dramatic promise.
— Samuel Bridgeman
 

During shore leave from band duties with cowboy troubadour the White Buffalo, drummer Matt Lynott and bassist Christopher Hoffee joined forces with visual artist Peter Halasz to form Floodflower. A natural extension of Halasz’s brooding and eerily beautiful canvases, this goth power-trio channels Bauhaus, Gorecki and Floyd to powerful effect. Balancing composition and improvisation, frenetic mayhem with wide open spaces and a poetic sensibility, their ethos is rooted in the live transmission. Harkening back to the world of atoms and the magic of corporeal experience, Floodflower is dowsing for signals from the old gods and enacting the ancient ceremonies. Their upcoming sophomore release, Fall Into The Half Light seems culled from beyond- garbled tongues half heard in the dim, apparitions glinting in the half light, gesturing in mute prognostication... Dreams of rock n roll lost in the crumbling minds of the dead, clanging in ghostly echo through the underworld. The allure of Romanticism never fades, it finds new adherents… Like Shelley and Byron, each new generation sees the darkness in their reflection and is encouraged by its dramatic promise.